The vertical facelift -volume restoration procedure: a new concept in facial rejuvenation.
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Before / After |
Before / After |
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A new trend is taking the plastic surgery world by storm and it is
based on new concepts of how to interpret beauty and facial
rejuvenation. I called the "deflation theory". In the face, the aging
process causes atrophy of the skin and underlying layers while the
effect of gravity cause the facial tissues to droop in a vertical
direction creating redundant skin and "jowls". The end result is an
absolute loss of volume of the face (the deflation effect) and a
relative shift of volume from certain areas of the face to other, less
desirable areas such as the nasolabial fold, the jaw line, the areas
below the eyes and the neck. Traditional facelift surgery attempts to
correct the problem by pulling in an unnatural, lateral direction,
producing the so-called "wind swept look". Also conventional facelifts
cause a flattening effect on the face by pulling the skin tight.
Therefore facial rejuvenation has been plagued for decades by two
major mistakes:wrong direction of the pull vector,(lateral vs
vertical) and bidimensional, skin-only, (flattening) approach.
If you look at how Botticelli painted Simonetta Vespucci in his
Primavera's, you can appreciate the"volume theory"of a
youthful, beautiful face: basically, aging causes volume loss and the
ultimate goal of facial rejuvenation should be to restore the lost
volume. The vertical facelift was conceptualized in the same way
Botticelli created his paintings: thinking in a tri-dimensional fashion
by restoring volume and, therefore, youthful shape and beauty.
The planning is an important part of the procedure: a careful analysis
of computerized images of the patient pre-operativly are invariable
combined with old pictures of the patient in their twenties and
thirties. This analysis results in a road map that we follow in our
rejuvenation process.
An important role in achieving this goal is played by the advent of
new, state of the art endoscopic technology which allowed us to
minimizes scars by minimally invasive procedures. Cameras attached to
scopes which are introduced through tiny incisions project amplified
images to our operative room monitors, therefore allowing us to access
critical areas of the face with specially designed instruments and
modify and shape underlying tissues according to our aesthetic needs.
Using similar technology, the vertical facelift is performed. Two tiny,
inconspicuous incisions in the hairlines and inside the month are made
and then a careful space is created where sutures are then carefully
placed to suspend, reposition and secure the facial tissues in a
vertical, more youthful position. The technique by itself causes less
swelling and bruising and virtually eliminates any visible scars.
With reduced post-operative recovery to less then a week, this
technique also suits the patient with a previous facelift who has unnatural, pulled back look. It is also popular in a younger patient
because the less invasive nature of the technique and the absence of
any visible scars.
In the older patient, the vertical facelift is also combined
with an endoscopic neck lift to reduce redundant skin in the
neck area. The volume restoration is often completed with
the placement of micrografting of fat in crucial areas such
as the cheeks and nasolabial fold and often combined with
endoscopic browlift. The final result is a restoration of
the face in a volumetric fashion giving a soft, natural, youthful
shape and form.
A technique is not a pure invention of a single mind but an
evolution and/or a
combination of other techniques. I like to knowledge the other
minds whose
thinking has stimulated me the most: Bill Little,M.D., Steve
Hoefflin,M.D.,
Oscar Ramirez M.D., Sam Hamra,M.D., Sherrell Aston,M.D. |